"They want to keep the material for the Beach Boys, too a solo album would take away from Beach Boys sales. Īsked in a December 1976 interview about his feelings on a solo career, Brian responded that he would like to release a solo album, however, he did not want to deal with the inner-band politics that would result from him becoming a solo artist. During this period, in late 1976, Dennis Wilson recorded his first solo album Pacific Ocean Blue (1977), Carl Wilson produced Ricci Martin's Bleached (1977), Mike Love taught Transcendental Meditation, and Al Jardine spent time with his family. tour, after which he produced a large collection of studio recordings, largely by himself while the other Beach Boys were preoccupied with their own personal and creative affairs. įrom July to August 1976, Wilson joined his bandmates on a U.S.
It was to be the second-to-last album owed to their record company, Warner Bros., as their contract had been set to expire in July 1977. In a contemporary interview, Wilson acknowledged that the album was "nothing too deep", but promised that the band's next release would be "a masterpiece" on par with " Good Vibrations" (1966). ġ5 Big Ones, which consisted of an equal share of cover songs and originals, came as a disappointment for most fans and the group members themselves. top 10 with new material since Pet Sounds (1966), and their first that credited Wilson as the sole producer since Pet Sounds. The tagline " Brian's Back!" became a major promotional tool for the group's concert tours, as well as their July release 15 Big Ones, the first Beach Boys LP that reached the U.S. During the latter half of 1976, Wilson became a regular member of the band's touring line-up for the first time since 1964. Under Landy's care, he became more stable and socially engaged, with his productivity increasing once again. It was the last album he wrote and produced until his first solo LP, Brian Wilson (1988), and his last that was created without significant interference from outsiders.īrian Wilson producing 15 Big Ones at Brother Studios in early 1976.įollowing a period of semi-inactivity, in late 1975, Wilson became a patient under psychologist Eugene Landy's radical 24-hour therapy program. Wilson later referred to Love You as his life-defining work, and his most creatively fulfilling since Pet Sounds (1966). A follow-up, Adult/Child, was completed by the group, but left unreleased. Love You has since been recognized for contributions to synth-pop and new wave. The record sold poorly, peaking at number 53 on the U.S. Although it was met with near-unanimous critical acclaim, some listeners found the album's bizarre, childlike quality to be a detriment. Wilson also included tributes to his wife, daughters, and mistress, as well as his idols Phil Spector and Johnny Carson. The subject matter of the 14 songs ranges from the planetary system and roller skating to adolescent sexuality and babies. His bandmates mainly served as additional vocalists, although Carl Wilson was credited as " mixdown producer".Įngineer Earle Mankey described the work as "serious", "autobiographical", and "frighteningly accurate" to Brian's personality.
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Love You marked the first time he was given full control of a Beach Boys album since the Smile sessions in 1967.
Originally planned as Brian Loves You, it is essentially a solo project by Brian Wilson, who wrote almost all of the material and played nearly every instrument on the record, including keyboards, synthesizers, and drums. The album was largely recorded in late 1976 at the band's Brother Studios. Often called the band's " punk" album, Love You is distinguished for its pioneering use of synthesizers and its juxtaposition of adolescent-oriented lyrics with the middle-aged band members' rough vocals. The Beach Boys Love You is the 21st studio album by American rock band the Beach Boys, released Apon Brother/ Reprise. " Honkin' Down the Highway" / " Solar System".